When it comes to foundation, my biggest priority is caring for my skin while hiding any imperfections. Anything that is going to sit on my skin all day needs to have SPF, and that’s what brought me to Dior Capture Totale Dreamskin Perfect Skin Cushion.
I walked up to the Nordstrom beauty counter one day and told the sales associate that I was looking for a light foundation with SPF and she got all fresh eyed and beaming when she told me about this product. Not only does this foundation blend to my exact skin tone, but it also protects and treats my skin. That means, when I put this foundation on, I’m reducing redness, tightening up my pores and reducing the visibility of dark spots. Not only that, but this cushion is SPF 50.
Come again? Yes, SPF 50.
Now what does this mean: cushion? When you open this blush pink compact, there’s a round flat sponge. You open a separator and there is the cushion. It opens like a powder foundation, but instead it’s a liquid. Dab the sponge on the cushion and gently pat the product into your skin.
I always notice an immediate reduction in the appearance of oil on my skin, which is HUGE for me. I love love love it. When using Dior Capture Totale Dreamskin Perfect Skin Cushion I always dab a tiny bit of concealer on any trouble spot and on any dark circles, since the coverage is so light and sheer. The texture of it is lovely, though. There’s no heavy cakiness, just sheer, moisturizing coverage.
A couple other details you ought to know: Dior is picking up their game when it comes to reducing waste. So when you buy this product, you’re also buying the compact. However, when you buy the refills (which come with a new sponge, fyi) it’s about half the price of the first time you purchased it. And pro tip: when you’ve finished with one side of the cushion and think you’re out, flip it over! There’s more product on the other side!
Skincare is phenomenally important. As someone who had relatively low maintenance skin for many years, I learned this later than many people. With the exception of a moisturizer with sunscreen (SPF is SO important on the daily, especially in SoCal), I didn’t do much with my skin for most of my teenage years.
Things began to change when I went to college and added more and more things to my life that affected my skin, like working out and wearing makeup more frequently. One thing that always stayed the same was that my skin is on the more oily side. So when skin oils began to gain popularity in the last couple years, I avoided them like the plague. It wasn’t until I started hearing about how great skin oils can be from multiple bloggers, magazines and friends that I even began to think about using a skin oil.
Never did I imagine that a face oil could be what this oil is. When I thought of face oils, I thought of cooking oil, like a nice olive oil. No, that is not what this is.This oil is super light and locks in moisture. It also works at the trouble spots, like evening skin tone, fighting redness, and reducing the appearance of fine lines and blemish spots. The fighting of blemish spots is huge for me. Although I never had really bad skin, I’ve had problem spots where I have scars I’m still self conscious about. The smell is also amazing. It’s light and flowered without being sweet. One of the best things about it, is that there’s nothing artificial in it: no parabens, silicons or synthetic fragrances.
And what a job it does. After I wash my face in the morning and at night, I apply a few drops to my fingers and massage it into my skin with upward strokes. When I say massage, I mean a real massage, it’s so relaxing to smooth onto your skin! I let it sink in a minute or two and add eye cream. In the morning I also follow with an AM moisturizer with sunscreen (of course) and makeup.
I’m now a true believer in face oils! While this one is pretty pricey, because a little goes a long way, I anticipate it will last a long time. I’ll keep you up to date!
What are your thoughts on face oils? Any favorites? Alternatives?
Anyone who has ever had a drink with me knows I’m a big fan of the classic gin and tonic. My mom’s go to cocktail has always been a Bombay Sapphire gin and tonic. It must have grown on me, because I adopted it sometime around my 21st birthday. There’s something about the herbaceous flavor of gin that tickles my taste buds.
That being said, when my brother told me about this cocktail he had at Ruth’s Chris, I had to try it and wanted to share! It’s a new twist on the classic. They call it a “Royal Street Gin and Tonic”, but since I will not be using an English gin, this name seems a little misplaced. Let me tell you a little bit more about the gin I’m using.
I recently discovered St. George’s Terroir gin while I was living in Los Angeles and it’s such a winner. It has a really unique flavor meant to reflect the flavors of California. It’s made using local Douglas fir and California bay laurel. There’s also a hint of citrus in there! Another reason to love it that I hinted at is that St. George is distilled in Alameda, California. I’m always looking to try quality locally produced and American products! Lastly, I’m such a sucker for their bottles. The clear glass and barrel shape, green old west type print and California bear really appeal to me. The first time I purchased it, I bought the smaller size and I use it as a flower vase.
Now on to how we copied this drink!
1 sprig of fresh rosemary ( I’ve used dried muddled rosemary once, but trust me, it’s not very good! We happen to have a rosemary shrub in our yard and it’s extremely fragrant!)
1 oz St. George Terroir gin
1 splash of The King’s Ginger liqueur (Ruth’s Chris recipe calls for Domaine Canton)
1 teaspoon whole pink peppercorns (we used Morton and Basset
This is the easiest cocktail and it is so beautiful! I can imagine serving this at holiday parties because it’s so festive looking! Simply combine your gin and tonic over ice and add your splash of ginger liqueur. Stir, top with pink peppercorns and garnish with fresh rosemary.
Directed and written for screen by: Marielle Heller
Based on the novel by Phoebe Gloeckner
Starring: Bel Powley, Alexander Skarsgard and Kristen Wiig
Sony Pictures Classics, Caviar Films, Cold Iron Pictures
Won best feature film at the Berlin International Film Festival anf Edinburgh International Film Festival
This year, many female artists have been critical of the lack of female stories available and being made in Hollywood. This year’s “Sicario” starring Emily Blunt drew attention prior to production because executives considered making Blunt’s role into one for a man, even though it was written for a woman. I remember hearing one of this years’s leading ladies in an interview on NPR recommending that, as women, when we see films about and by women in the box office, we should go buy tickets for them, especially opening weekend, because that’s when it matters most, even if we don’t see them. While I support that notion, I hardly have the money to go see the movies I do get to see, though I try to make them films with strong female roles.
It seems crazy considering women make up half the population, but many Hollywood executives are under the impression that women’s stories don’t sell. I can tell you this as not only something I have read about, but because I have been in rooms where those words have been spoken by Hollywood executives. Hollywood lacks female voices as well in the roles of directors and writers. Don’t believe me? According to the Director’s Guild of America, women directed 16% of television episodes in the 2014-15 season. Over 3900 episodes were filmed, which means around 624 episodes were directed by women. They also found only 6.4% of 376 films made between 2013-14 were directed by women.
Nonetheless, “The Diary of a Teenage Girl” was made this year with two female leads, a female helmer and based on the book by a woman about women. And although it wasn’t a box office success, it garnered attention at film festivals and had some excellent buzz.
The film is about a teenage girl named Minnie (Bel Powley) who has an affair with her mother, Charlotte’s (Kristen Wiig) boyfriend, Monroe (Alexander Skarsgard).
The film takes place in the seventies and we are ushered into it through a first person narration by Minnie who begins recording her thoughts on a tape recorder as a diary after losing her virginity to Monroe. Minnie’s mind is filled with the thoughts every teenager has with explosions of color and doodles. She is an artist and her drawings help the audience to understand her mind.
The most interesting thing about this film is that nothing is portrayed as grandiose or ultra-dramatic. The music, lighting and cinematography even through the drugs, alcohol and sex is all portrayed ultra realistically, giving the film an authentic feel. It doesn’t feel like a turbulent whirlwind, but rather a progression through Minnie’s life. When a naked Minnie stands in front of the mirror examining her body, it doesn’t feel sexual, it feels like a teenager looking at her body the way a teenager does- looking for flaws, changes, trying to understand what this body means.
Over the course of the film, Minnie’s peers begin to see her differently and one girl even calls her a “slut” to her face. Minnie’s reaction is subdued and it seems to roll off of her like water from a duck’s back. As the film goes on and Minnie’s sexual exploits continue, I had an interesting thought. It was difficult to see Minnie as any one thing, although one of those things would certainly be confused teenager lacking authority figures in her life, but “slut” was not a simple term that could identify her. Following Minnie’s story gives an understanding and a perspective that is unique to the film world. Knowing her motivations and thoughts as honestly as she could tell them made her a complex and immensely human figure. Seeing a young woman portrayed this way is so rare. It felt raw, honest and real. For that reason alone, I recommend it. I also recommend it for the unique use of animation throughout the film used as a way to understand Minnie, even when Minnie seems to not quite understand herself.
First episode: “Family Day”: Directed and written by Mark Duplass and Jay Duplass
Produced by Duplass Brothers Productions
Duration: 30 mins.
TOGETHERNESS is a new show produced by the Duplass brothers team that premiered Sunday on HBO. The Duplass brothers are known for projects, on television and the big screen, that bring realism back to film a television. Their characters are often funny and clever and unique, however, they are extremely relatable. Their projects do not make their audience envious of something that can never be, but rather, use a relatable world to entertain. Something else I tend to like about the Duplass projects is that they use relatable actors. By which, I mean, that they aren’t all fashion model beautiful.
Their new project does just that. Makes the everyday world and everyday problems interesting. TOGETHERNESS is a comedy about a family that doesn’t necessarily have it all “together”. While dealing with the typical marital problems, the central couple has taken on a bit more stress than they can maybe handle with the wife’s sister unexpectedly moving in and the husband’s best friend doing the same. Add a baby and a small child to that equation and let the chaos ensue.
This comedy, like other Duplass work, tends to emphasize the importance of the real world and real issues faced by people over the course of their lives. It focuses on the importance of knowing and understanding the self, while not being selfish. Most importantly, it tends to focus on the family (although that may not be strictly-blood related family) and the connections people make and how they’re maintained.
The first episode of TOGETHERNESS holds promise without being too flashy. My suggestion, give the first episode a shot if you like the Duplass brothers or if you’re ready to see something real. I certainly am.
Scott Rudin Productions, Indian Paintbrush and Studio Babelsberg.
Inspired by the writings of Stefan Zweig with story by Hugo Guiness and Wes Anderson.
Now a Golden Globe 2014 winner for Best Film, comedy or musical.
THE GRAND BUDAPEST HOTEL is the story of a grand hotel and the adventure of its famous concierge.
The story is told many years after the events took place, during the beginnings of World War II by the former hotel Lobby Boy and sidekick, Zero (played by Revolori) of the great M. Gustave (played by Fiennes). As is characteristic of Anderson’s other films, THE GRAND BUDAPEST HOTEL is a vibrantly colorful adventure with a strong ensemble cast. When I say colorful, I am not simply referring to the characters, although they are all rich and vibrant, I am also referring to the color used in the film by the director of photography and director. Anderson’s films are easily identifiable by his unique style, which includes a vibrant use of color, whimsical music, and a rather unique sense of absurdity. Absurdity is Anderson’s way of constructing satire.
The absurdity is emphasized by often dead-pan and genuine acting that emphasizes the grandiose and exciting plot. Sharp cuts and exaggerated details also help to create a unique auteurism in Anderson’s films.
Unlike Anderson’s other films however, THE GRAND BUDAPEST HOTEL also confronts the contemporaneous World War II. Strangely, Anderson does not explicitly call out or name Nazis, however through his creation of a symbol worshipping, rising power in the former Austro-Hungarian Empire , it is evident that he is dealing with the Nazis. The Nazi power is not Anderson’s focus in the film, but simply an environment for his plot to take place in.
This film had a long list of wonderfully funny and tender moments brought about by an extremely talented and remarkable ensemble cast. Anyone who enjoys Anderson’s work will find a particular gem in his latest film.
Hello! So, before I get any deeper in this whole blog thing, I wanted to let you all know how I get my information on the people who are behind and in front of the camera for film and television projects. No, I am not fortunate enough to have a photographic memory and simply memorize all the credits and production details, instead I, like my film and television industry compatriots and fans alike, use IMDBPro. Now you may think, “oh, I’ve used that before, that’s no big deal.” And while most people have been on IMDB, which is a free internet database of released films and television shows and some films and television shows that are still in production, IMDBPro is a subscription service that has more in-depth details about productions. For example, you can see productions that are still “in development”, meaning they are not even being shot yet, but are still in the beginning stages. You can also see greater in depth details about production companies and projects that aren’t off the ground yet, or are very hush hush.
IMDBPro is great because it has all of the information you could possibly get, without being on the project yourself.
You can get a free 30 day trial of IMDBPro if you want to find out what all the hullabaloo is about yourself, but after there is a monthly fee. If you have any other questions, let me know!